Kees Van Dongen (1877-1968)
Works
Biography
Bouquet de fleurs
Cornelis Theodorus Maria "Kees" van Dongen (1877–1968) was a Dutch-French painter renowned for his vibrant use of color and bold brushwork, which positioned him as a leading figure in the Fauvist movement. Born on January 26, 1877, in Delfshaven, Netherlands, van Dongen began his artistic journey at the Royal Academy of Fine Arts in Rotterdam. In 1897, he moved to Paris, immersing himself in the city's avant-garde art scene.
Van Dongen's early works often depicted the lively and sometimes provocative aspects of Parisian nightlife, capturing dancers, singers, and the bohemian milieu with a distinctive flair. His participation in the 1905 Salon d'Automne exhibition, alongside artists like Henri Matisse, solidified his role in the Fauvist movement, characterized by its radical use of form and color. Over time, his focus shifted towards portraiture, where he became sought after for his sensuous and stylized representations of women, blending elegance with a touch of audacity.
Bailly Gallery is honored to feature several of van Dongen's works, including "Portrait de jeune femme," a gouache on paper that exemplifies his mastery in capturing feminine allure. Another notable piece, "Les commères," showcases his skillful use of Chinese ink, blue pencil, and gouache, reflecting his versatility and innovative approach to medium and technique. In line with its commitment to celebrating van Dongen's legacy, Bailly Gallery proudly lent his work "Le retour de bal, Guus" (circa 1904-1905) to the Singer Laren Museum in the Netherlands for the exhibition "Kees van Dongen. Durf en verleiding," underscoring the gallery's dedication to sharing his art with a broader audience.
For collectors and enthusiasts interested in exploring or acquiring Kees van Dongen's artworks, Bailly Gallery offers private viewings and personalized consultations. To learn more or to schedule an appointment, please visit the gallery's official website.
Van Dongen's early works often depicted the lively and sometimes provocative aspects of Parisian nightlife, capturing dancers, singers, and the bohemian milieu with a distinctive flair. His participation in the 1905 Salon d'Automne exhibition, alongside artists like Henri Matisse, solidified his role in the Fauvist movement, characterized by its radical use of form and color. Over time, his focus shifted towards portraiture, where he became sought after for his sensuous and stylized representations of women, blending elegance with a touch of audacity.
Bailly Gallery is honored to feature several of van Dongen's works, including "Portrait de jeune femme," a gouache on paper that exemplifies his mastery in capturing feminine allure. Another notable piece, "Les commères," showcases his skillful use of Chinese ink, blue pencil, and gouache, reflecting his versatility and innovative approach to medium and technique. In line with its commitment to celebrating van Dongen's legacy, Bailly Gallery proudly lent his work "Le retour de bal, Guus" (circa 1904-1905) to the Singer Laren Museum in the Netherlands for the exhibition "Kees van Dongen. Durf en verleiding," underscoring the gallery's dedication to sharing his art with a broader audience.
For collectors and enthusiasts interested in exploring or acquiring Kees van Dongen's artworks, Bailly Gallery offers private viewings and personalized consultations. To learn more or to schedule an appointment, please visit the gallery's official website.
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