November 16th, 2018 - December 10th, 2018

Paysages et natures mortes

1900-1945
25 Quai Voltaire I Paris

PIERRE-AUGUSTE RENOIR (1841-1919), Les poissons, circa 1918

Oil on canvas
23.5 x 41 cm
Frame: 41.5 x 59 cm (with frame)
Notice of inclusion in the Catalogue Critique of Pierre-Auguste Renoir prepared by the Wildenstein Institute, dated June 9th, 2005. Certificate of authenticity issued by Jacques Dubourg, dated February 22nd, 1950.

ALBERT MARQUET (1875-1947), Nature morte aux pommes, c.1898-1900

Oil on canvas
32.5 x 41 cm
Frame: 55.5 x 56.5 cm (with frame)
Signed lower left : marquet
To be included in the Catalogue Raisonné by Jean Claude Martinet and the Wildenstein Institude, dated January 15th, 2001.

ALBERT MARQUET (1875-1947), Beau jour, Alger, 1945

Oil on canvas
60 x 73 cm / 23,8 x 28,9 in.
Frame: 87 x 99,5 cm / 34,3 x 39,2 in. (with frame)
Signed lower right : marquet ; Signed, dated & titled on the reverse : marquet Beau Jour 45 ; Sealed on the reverse : galerie Duhamel Fine Art
Certificate by the Wildenstein Institute, dated June 6th, 2018.

PAUL SERUSIER (1864-1927), Nature morte aux pommes sur fond de tenture rayée, 1912

Oil on canvas
45 x 57 cm
Frame: 59 x 81 cm (avec cadre)
Signed and dated lower left : P.Sérusier / 12
Certificate of authenticity issued by the Paul Sérusier Committee, in Pont-Aven, dated May 3rd, 2016.

PIERRE-AUGUSTE RENOIR (1841-1919), Têtes, arbres et fruits, 1892

Oil on canvas
31 x 32 cm / 12.2 x 12.6 in.
Frame: 56.5 x 56.5 cm / 22 x 22 in. (with frame)
Stamped lower right : Renoir
Notice of inclusion issued by the Wildenstein Institute, to be included in the forthcoming Renoir's Catalogue Raisonné, dated October 7th, 2008.

ÉDOUARD VUILLARD (1868-1940), Étude de femme pour un portrait, 1908

Oil on board
32.5 x 33.5 cm
Frame: 46 x 46.5 cm (with frame)
Monogrammed lower right : E V
Catalogue Raisonné d'Edouard Vuillard, by Antoine Salomon and Guy Cogeval, Wildenstein Institute / Skira, 2003, Vol.II, illustrated under n°VII-425, p.754.

PABLO PICASSO (1881-1973), Pichet Poisson, 1952

Ed. 500 pcs
Red faience earth, engobes decor, black and white
13 x 21.5 cm / 5.1 x 8.3 in.
Stamp indented and marked under the base : Madoura Plein Feu, Edition Picasso
Catalogue raisonné de l'oeuvre céramique de Picasso de 1947 à 1971, by Alain Ramié, Madoura, 1988, similar ceramic described and illustrated under the n°139, p.78.

ALBERT MARQUET (1875-1947), Le repos devant la maison, 1944

Oil on canvas
51 x 65.5 cm / 19.7 x 25.6 in.
Frame: 73 x 88 cm (with frame)
Signed lower left : Marquet ; Signed, titled and dated on the reverse : mm le repos d'été 44
Certificat of authenticity issued by the Wildenstein Institute, dated June 11th, 2008. Certificate of authenticity issued Pietro Maria Bardi.

JOAN MIRO (1893 - 1983), Ubu Roi, 01.05.1967

Ed.158 pcs + XXV HC - N°XIX (1 des 25 HC signé par l'artiste au colophon)
Pastel and pencil on paper
42.2 x 32.2 cm / 16.5 x 12.6
Frame: 64.5 x 54.5 cm / 25.2 x 21.3 in. (with frame)
Signed, dated and dedicated middle low : pour André Lejard / amicalement / Mirò / 1/V/67
Certificate of authenticity issued by the ADOM, dated June 22nd, 2018.

PABLO PICASSO (1881-1973), Pichet Poule, 1954

Shaped piece turned in white faience earth with blue oxide decoration on white enamel
13.5 x 17 x 10 cm
Stamp indented and marked under the base: Madoura Plein Feu, Edition Picasso, Edition Picasso Madoura
Catalogue Raisonné de l'oeuvre céramique de Picasso de 1947 à 1971, by Alain Ramié, Madoura, 1988, similar ceramic described and illustrated under the n°250, p.133.

PABLO PICASSO (1881-1973), Soleil de Méditerranée, 1956

Colored pencils on letter paper
21.5 x 21 cm / 8.3 x 8.2 in.
Frame: 44 x 43 cm / 17.3 x 16.9 in. (with frame)
Signed and dedicated lower right : et bien à vous / Picasso ; Dated, located and dedicated top right : "La Californie" / le 7.8.56.Cannes A.M / mon cher ami / voici mon téléphone-901-82
Certificate of authenticity issued by Claude Ruiz-Picasso, dated June 21st, 2018.

CAMILLE PISSARRO (1830 - 1903), Le grand noyer et le pré, Eragny, circa 1890

Oil on panel
15.5 x 23.2 cm / 5.9 x 9.1 in.
Frame: 34.5 x 42 cm / 13.4 x 16.5 in. (with frame)
Monogrammed bottom left corner : CP
Pissarro: Catalogue Critique des Peintures Vol.III, by Joachim Pissarro and Claire Durand-Ruel Snollaerts, Editions Skira / Wildenstein Institute, Paris, 2005, illustrated in color under n.895, p.589.

KEES VAN DONGEN (1877-1968), Les deux caniches, circa 1938-1946

Oil on cardboard
35.5 x 27 cm / 13.8 x 10.6 in.
Frame: 56.5 x 49 cm / 22 x 19.3 in. (with frame)
Signed lower right : van Dongen ; Signed on the reverse : Van Dongen
Notice of inclusion issued by Elizabeth Gorayeb from The Wildenstein Plattner Institute, dated February 14th, 2018, under no.18.02.14/20183.

KEES VAN DONGEN (1877-1968), Scène de plage à Deauville

Watercolor and gouache on paper
61 x 46 cm / 24 x 18.1 in.
Frame: 89 x 75 cm / 35 x 29.5 in. (with frame)
Signed and located low middle : van Dongen / Deauville
Notice of inclusion in the Catalogue Raisonné by the Wildenstein Institute dated March 31, 2006, ref. 06.03.31.9844.2853.

AUGUSTE RODIN (1840-1917), Amour qui passe, circa 1896

Bronze with green patina
38.2 x 22.5 x 32.7 cm / 14.9 x 8.7 x 12.6 in.
Frame: Weight : 14.9 kg / 30.9 lb
Signed in a notch on the back of the base: A.Rodin
Notice of inclusion in the forthcoming Catalogue Critique de l'Oeuvre sculptée d'Auguste Rodin, by Jérôme Le Blay, dated February 5th, 2015.

HENRY MORET (1856-1913), Gros temps à Doëlan. Bretagne, 1909

Oil on canvas
65 x 92 cm / 25,6 x 36,2 in.
Frame: 88 x 111 cm / 34,6 x 43,7 in. (with frame)
Signed & dated lower left : Henry Moret / 09
Certificate of authenticity issued by Jean-Yves Rolland, dated October 24th, 2017. Inclusion in the next Catalogue Raisonné under preparation by Mr. Rolland.

FRANCIS PICABIA (1879 - 1953) , Sans titre ou Le port de Saint Raphäel, circa 1905

Watercolor and pencil on paper laid down on cardboard
22.5 x 28.5 cm
Frame: 47 x 53 cm (with frame)
Signed lower right : Francis Picabia ; Titled, dated, dedicated and signed on the reverse : 14 avril 1922, "Très sympathiquement au Comte Lefranc"
Certificate of authenticity issued by the Picabia's Committee, dated September 14th, 2018.

PAUL SERUSIER (1864-1927), La moisson du sarrazin, vue sur Châteauneuf-du-Faou, 1900

Tempera on canvas
92 x 73 cm / 36.2 x 28.7 in.
Frame: 112 x 93.5 cm / 44.1 x 36.6 in. (with frame)
Signed and dated lower left : P. Sérusier / 1900
Notice of inclusion in the forthcoming Catalogue Raisonné of the work of Paul Sérusier by the Comité Sérusier, dated May 3rd, 2016.

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